North American B-25 Mitchell James E. Maloney/Planes Of Fame, |
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Ball Mounts So-called due to their spherically
shaped wind shroud--most of those shown here without--, ball mounts offer rock steady gyro stabilization. Most of the larger
systems are designed primarily for film work. Their size accommodates the film camera and 1000' magazine while allowing full
pan and tilt movements. There are also systems designed for
ENG work with some even incorporating infrared cameras. However, these latter types are primarily for law enforcement or military
applications. Installation is usually carried out
by the camera operator or aerial cinematographer and the camera technician. If the operator is required at a production meeting,
steps should be in place to provide at least a P.A. to help with the process. During the filming process the aerial
technician can provide focus pulling duties as well to the normal camera and magazine reloading. Some flight situations may--hot
and high--may require the camera technician to remain behind on the ground. It's important in this situation
that the aerial cinematographer be thoroughly trained on the system as all focus duties will be performed by that person in
addition to the normal operation. The mounts listed here are only a
sampling of what is available. Some of these vendors have more than one type of system so be sure and visit their Web sites
for a complete, up to date listing. Also, be aware that the bracketry for these
mounts requires a specially modified aircraft. You cannot just fit these systems to any ship. Make sure you work this out
ahead of time with each mount's vendor or the aerial coordinator as they will be able to help you locate a compatible helicopter.
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